My new purse

And the little critters who left me alone enough for a few minutes each night to let me finally finish it. PH and I have often lamented the sorry state of women's handbags. There are too many rhinestones, studs, gold latches, useless-decorative pockets, extra handles and patent leather parts for me to feel comfortable with. I don't want my purse looking like a cheap hooker. Not even with my new hair, it still is not me.
So I decided to make myself a test purse and then, if it worked, make it a flagship purse, one I really wanted to carry around flaunting it's happy existence without all the standard purse-deco, clutter garbage. The front panel is hard felted merino in blues and greens and silvers with a lot of sashiko mermaid stitching. The pocket on the front panel came from the leather coat I used on the back panel. This is truly and unsale-able item due to all the hours of stitching involved in it's subtle decoration.
The back panel is an up-cycled suede leather coat, and the inside is a fantastic flannel print with old cars and the appropriate accessories for traveling around in such ancient vehicles. I wish I had taken a photo of the fabric before it went inside the bag.
This is a close up of some of the stitching and (shame on me) my logo embroidered on in flashy red and white. I am a fame whore just waiting to be recognised :)
When I went to school for ceramics I would have called this red and white mark my 'chop' and stamped it on the underside of all my works as a signature of sorts. Somehow, even with the switch in mediums I still feel like this makers mark is important. Maybe even more important in a world filled with cheap, mass-produced goods where the items aren't even seen by the people whose names appear as the chop or brand.